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Kulturbrauerei, an old brewery in Berlin, now an arts complex, the venue for the Comicfest. The upper drawing was done a week later. The courtyard was full of tables on the first day. During the night they were all blown to bits in a heavy storm. The second drawings shows the inside of the tall building to the left. |




| Frankfurt Buchmesse - Two views of the brandnew Hall 3, which is where the Comic events ('Faszination Comic') took place. |









| Train from Frankfurt to Paris |

| Two friends joining at Kaiserslautern. |

| Paris Montparnasse, where the trains are leaving for the south of France, including the one to Angouleme. |

| Angouleme at night. This was done on the last day, when even the 'Chat Noir' was closed (notice head of cat), one of the main haunts for international cartoonists. |

| Small cafe next to the Tent New York (I think), where I had a long and peaceful breakfast with a friend. Outside the long queue for the festival tickets. |

| Main tent before the masses are let inside. Topshelf/Knockabout table in the middle. That poster shows Depp in 'From Hell'. |

| Tent New York, the Fanzine tent. |

| Same place, with Stripburger table in the middle. |

| Will Eisner interview. Note his signature. ('Will Eisner, I think') |

| Fanzine tent again, at night. The sketching at night resulted in a terrible cold, obviously. (This was January). |

| Angouleme Comics Museum 'CNBDI' |

| Expo 'Martin Veyron' inside the museum. |

| More exhibitions, the one below organized by Jean-Paul Jennequin about US independent cartoonists. |

| Large exhibition over three floors of the municipal theatre (which also houses the annual prizes) showing work by dozens of young, sometimes very unknown, cartoonists. |

| Wacky event-expo by the group Requins Marteaux, the infamous 'Supermarché Ferraille'. A pseudo supermarket full of 'selfmade' products. On their wine bottles (real) was a very fancy looking label, with the tiny incription 'Les aristocrates a la laterne'. |

| (another sketch done late in the evening, but I was too tired to do any more crosshatching). Palais de la Justice, with a small show of new artists from the Angouleme comic school. |

| Paris, on Tuesday, Institute Finlandais (Finnish Institute), with yet more comics, this time of a famous (in Finland) newspaper strip by Jussi Tuomola. I didn't find time to actually read any, which is a shame, because this was the only opportunity to see them with translation labels. |

































| Interview with legendary comcis publisher Abi Melzer. As you see, he published Micky Mouse, the Gotfredson collections. Also Little Nemo and Prince Valliant. All devoured by me as a kid. The chap has my eternal gratitude. |








| Paris railway terminal Montparnasse where the trains to Angoulem leave from. |

| Special tent for internantional dealmaking. (I got in as a journalist.) |

| Espace Franquin. (Franquin room). Another special meeting place for journalists and artists. |

| Opening of the Herge memorial, actually the re-naming of a whole street. Herge's widow was there, as was the Queen of Belgium etc, but I could see a thing.- Later on a TV crew filmed me drawing, so I have been on telly. So there. |

| Grand prizegiving ('palmareze'). The big prize for best Album went to Chris Ware (his Jim Corrigan had juts been published, and what can compete against that?). But he wasn't there, too busy working. Good for him of course, still, a bit disappointing. - J.C.Denis got prize for best script, which cheesed him off a bit, because he's a very proud artist as well. |

| Cool exhibition featuring truckloads of old books all over the place (which was a motiv of the exhibited album). |

| Small but interesting expo at the Italian tourist office. They had good food too, but I was too busy with the sketch, and then had to go off with the Platirum mailinglist group. |

| Amazing exhibition by the Ferraille crew. About a make believe robotic cinema/comics star, with fake posters, dolls, comics, films, the lot. Superb. |

| 'New York Tent' aka Fanzine Tent. Where all the fanzines are. Well, most, some snuck into the main tent. Absolutely overwhelming. And wonderful stuff to buy. Unmissable. |

| Bunch of sketches done at 'Le Chat Noir', pub where lots of comics people meet. |





| Another pub, or rather hotel with a large bar, which was still open the Chat Noir close, at 3 in the moring. (yes, insane.). That's Charles Berberian on the left. |

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Here are a number of Mini-publishers who made it into the main tent: Flblb, Atrablie, Büb, Fremok.
They were actually packing up when I made this. |
German Version (more text)

| 1. Joost Swarte exhibition. The pictures were curiously grouped together, all huddled in one corner of each room, which was mostly empty otherwise, except those strange big signs of clouds (here) or other stuff. This however was a clue to each group of drawings, which I only realized when I slowed down and did this drawing. |

| Official opening, already on Wednesday (things really start on Thursday). The characters on the 'bridge' inside this atrium were holding forth on the greatness of comics etc. |

| Also Wednesday evening, the tables are being prepared for the next day. It occured to me that this drawing would not have been much different at the end of the festival, with everything being taken down again, which was a rather curious experience. |

| Municicpality of Erlangen, where most of the comics stuff takes place. Entrance is behind all those flags (which have 'Comic Salon' written on them.) The low 'wing' at the right had an exhibition of the German underground anthology 'Panik Elektro', which can be seen on the last drawing, at the bottom of this page. |

| Apart from Swarte this was my favourite show, 'Max'. (Yes, despite the sketchiness of my drawings, I'm a big fan of ligne claire.) |

| 'Strip Bar', a small bar near the market place. Here's a discussion between Andreas Michalke (left) and Mawil (right) about similarities of making music and comics. Which they both do. Mawil got the 'ICOM' price for best independant graphic album, an autobiographical love story, or non-love story ('Wir können ja Freunde bleiben'). |

| Slideshow about Ligne Clair comics, with the last page of Swarte's Modern Art on the wall. |

| Swarte Interview. Doesn't look too much like him, but a nice drawing anyway, done in pencil, as I had forgotten my pens. He spoke perfect German. - Concerning the degree of realism in his pictures he explained 'Perspective is something people understand. So do I. This is the common base where one can make contact.' (Not a good translation. What he said in German was: 'Perspektive verstehen die Leute. Ich verstehe das auch. Das ist der Ramen um Kontakt zu haben.') |

| Still Swarte, here as DJ !!! Very nice music too. |

| 'Comic Quartett', four critics discuss four recent publications, most interestingly, and controvertially Sacco's 'Palestine'. |

| Presentation by Eckart Sackmann of a new magazine project (or Jahrbuch, Annual book), dealing with early German comics and nothing else. Sounds very promising. Title: 'Das Neueste von Onkel Jup' (The latest of Uncle Jup) |

| The main event for giving out prizes, best album, best strip, best German artist (Ulf K. !!!) etc. I was allowed in 20 Minutes earlier to start this sketch. On the stage a little Asterix village with Miraculix (?) in the middle, because Albert Uderzo was the star guest... |

| ... of whom I didn't see that much, being busy drawing, but interesting to listen to. Asked if he had any advice to young artists, he touchingly said he would wish anyone to have such a good partnership as he had with Goscinny, whom he was still missing. |

| No final party in the Castle garden, instead this evening at this large dance club on several floors. ('E-werk') |



| Some of the winners of the 'Max and Moritz' prizes. Ulf K. on the right. Then moderator Harald Havas, best album winner Flix, best strip winner Volker Reiche (in the prestigious Frankfurter Allgemeine) and publisher Eckart Schott (special prize for his edition of Juillard's book on the Eiffel tower. He was also nominated in the same cathegory for the German edition of the Spirit volumes, which I thought even more deserving.) - Best translated album went to M.Satrapi, but she wasn't there. |

| The Swiss-German magazine 'Strapazin' has a 20 year jubilee and exhibted various birthday prezzies here in this charming show. |

| First floor, main exhibitors hall, with the table of 'Berlin Comics'. That's the fluffy lettering on the left. |

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At the very last minute I managed to squeeze in this drawing. Exhibition 'Panik Elektro' with mostly German alternative cartoonists, but a few foreign stars as well, for instance James Kochalka. I too got a little Konky Kru page in there.
Ok, hoped you liked the sketches. Feel free to say so if you notice me sitting around sketching at the next festival... |
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Here are eight sketches I made during the 'Caption' weekend, this time at a new location, Wolfson College (end of Linton Rd). This is no longer in the center, but one can walk there and see a bit of beautiful Oxford. (If you come by bus, get off at High Street and walk up Catte St, Parks Rd, through the Parks, Fyfield Rd, Chalbury Rd. and then turn right. It's less easy to find than before, but Caption isn't meant for normal punters to stroll in anyway. It's a convention for comic-artists or those who like to think of themselves as such, or upcoming talent, or hardcore 'handmade-comics'-fans. - There were a few mainstream talks as well, for instance Pat Mill's about his anti-war series 'Charlie's War', which was so interesting that I forgot to do a drawing. He's in the background on picture six, the sixth head from the left. I missed his interview on Sunday, having to psyche myself up (or down) for my own talk about Early Comics. Being able to project computer scans onto a huge screen was an enormous advantage at the new venue, which will probably encourage more html-slide-shows in future. There could even be a presentation of flash-animations, such as the cute Porno-cartoon from the Belgrade comics festival . No picture of the dealer's tables, sorry, must remember to do that next time. Nor the bar. Nor the workshop rooms upstairs. |

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Tony Keen showing comics with Greeks and Romans in them. In German the equivalent films, such as Ben Hur, Quo Vadis etc, are called 'Sandalen-filme', because everyone is wearing sandals. So this was about sandal-comics.
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Les Coleman and Paul Gravett chatting about mini-comics. And showing off what a cool collection they have. By the way, mini is a somewhat vague expression in this context. Larger than normal format can also be mini. Very complicated. Oh, and please buy more than a handful of my own minicomic 'Flickermouse' next time, eh? It's just 70p, like the Beano. (Even sharing a contributor). Minimal sales seem to also be a feature of mini-comics, but one needn't overdo it (or should that be 'underdo'?)
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Pizza-pause outside. The building really is that ugly, but the landscape is lovely. (See last picture for the view from those steps leading down to the grass, which one wasn't supposed to step on).
Not only ugly, but one could harldy find the bar, or the way back, even in comparatively sober condition. On the plus side, the conference rooms are not bad at all.
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Auction of donated artworks. I forget what that bosomy sketch on the sceen was, but there were also some really great drawings to be had. I was determined not to buy anything, but when they were about to flog off a whole fantastic sketchbook by Paul 'Mooncat' Schroeder for twelve quid I got that for 13. Fools! This will be turned into one or two Dachshund minizines now...
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The National Theatre of Earth Prime performs 'The League of Extraordinary Gentlemen'. The chap in the wooly wig is the infamous 'composite-character-of-former-caption-organizers' or somesuch.
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Lee Kennedy and foreign guest artist Aleksandar Zograf reporting from a comics festival called 'Grrr' in Belgrade (October 2003). Apparently they make a big fuss there about us artists, which is nice. They can't afford to invite us though (meaning paying for plane and hotel), so you have to show a bit of initiative if you want to broaden your comicultural horizons.
Second from the left is Mardou, sketching (a lot prettier in natura), 3: Jenni Scott, 5: Andy Roberts, 6: Pat Mills, and sitting at the front, Pete Ashton, who incidentally made a really good point during my own talk, concerning the definition of comics. |
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Daniel Merlin Goodbrey, Mardou, Andy Roberts (as the chairman, not doing a lot of autobio, or any, comics himself lately) (Maybe this will goad him into action) , Alexsander Zograf and Al Davison discussing autobiographical comics. At one point even artistic influences on one's comicish output were counted as part of the biography, effectively turning all comics into autobio-comics.
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When nearly everyone else had beetled off I made this quick sketch of the adjoining nature.
Trees, bushes, river, rivulets, boats, islands and whatnot. Typically, hardly any of the assembled cartoonists could be coaxed from the dingy bar and pursuaded to relax by the water. But for me the river more than made up for the loss of the romantic garden of the former venue. Maybe we should have an impromtu exhibtion down there, as an incentive, a sort of 'Water-caption'. For instance, short versions of Treasure Island, on the island, or of Wind in the Willows, exhibited on a boat?
Finally a big thank you to the organizers and the gophers, all doing a splendid job. See you next year, Andy |
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| Inside stall of publishers 'Comicplus' and 'Schreiber & Leser' (third from right, behind the girl in front: Rossi Schreiber) |
| left to right: Eckart Schott (editor Salleck, publishes Juillard), André Juillard, Interpreter, Andreas Knigge (comics historian, ex editor-in-chief of Carlsen) |











| ... discussion by L'association chaps (Menu, Killofer, Baudoin, Trondheim) about the usefulness of signing books. (They didn't have a table this year, some sort of protest against one thing or another) |














| Frankfurt Airport, which is where I was picked up by Friends passing through from Wiesbaden . |

| Slide projection lecture by Eckart Sackmann about comics and computers. |

| 'Comic Quartett' (Four critics discussing four recent books) |

| ICOM Prize awards |

| Cartoon awards. |

| Main street (walkway) of Erlangen. |

| Mattotti Interview |

| Stripbar - before Fil's stand-up show. |

| Fil |

| Stripbar inside |

| and outside (Market Square) at night |

| Discussion about Islam. (5th. from left: Ralf König, 6th. Andreas Kniggge) |

| 'Elefantenrunde' (big wigs of German publishing houses podium discussion) |

| Reprodukt, Dirk Rehm (who didn't seem to like this sketch very much) with cigarette, in front of him Sascha Hommer. |

| 'Gala-evering' Max & Moritz Awards |

| 'Gala-evering' Max & Moritz Awards |

| After the awards in the garden. |

| Wittek & Andreas Eickenrot in the all-night Kneipe (pub) 'Schwarzer Ritter', at circa 5 a.m. |

| Jacques Tardi signing. Behind him Volker Reiche (who got the award for best German cartoonist) making a little film about Erlangen. |
